And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: He sees despair in the faces of the people he meets and hears fear and repression in their voices. The nighttime holds nothing more promising:
William Wordsworth Source William Wordsworth and Composed upon Westminster Bridge Composed upon Westminster Bridge, Critical analysis of london by william blake 3, is William Wordsworth's sonnet to the capital city of London, written before the full effects of the industrial revolution had reached the metropolis.
Wordsworth and his sister Dorothy were on their way to the port of Dover in Julyen route for Paris. Imagine an early dawn, hardly anyone on the streets, when along comes a carriage and horses, stopping temporarily to take in the view over the River Thames.
This could be the moment of inspiration for the romantic poet. When he returned to England he finished the sonnet and it was published a few years later in There are variations on this story but the basic idea is that Wordsworth was enthralled by the smokeless vista before him, interpreting the city skyline as a natural landscape, beautiful and quiet, most people not yet going about their business.
Some are critical of the poet for portraying London as some kind of sublime idyll, when the true nature of life in the capital was far more brutal and down to earth. This was at a time when destitute kids scraped a living sifting through the mud of the Thames for pennies, when the river itself was a stinking mess and many perished from diseases such as cholera.
Poets such as William Blake were well aware of the human suffering the city caused and wrote reflective poems. Others argue that Wordsworth had no option, being a romantic, seeing the world through rose-tinted glasses so to speak, having to express his feelings about what he saw at that time on the bridge.
And in London would be relatively small, the architecture modest, the countryside, with open fields and woods, not that far from busy city roads. The sonnet is still causing debate between realists and romantics.
On the one hand it's nothing more than fourteen lines of sentimental invention, with hyperbole; on the other it's a fresh perspective, an enlightened vision that lifts the spirit. There is also a kind of paradox in the idea that a city can be part of nature, or that an ugly, man-made city can be perceived as being as beautiful as a natural landscape.
Somewhere between the two lies poetic craft and the question of whether or not the poet has successfully twinned form with content.
No doubting though the popularity of this well known sonnet, its scanty plot of ground, and its ability to split opinion down the middle.
Composed upon Westminster Bridge is a Petrarchan or Italian sonnet, with the first eight lines, the octave, being observation, and the last six lines, the sestet, the conclusion.
Composed upon Westminster Bridge, September 3, Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air.
Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Analysis of Composed upon Westminster bridge Composed upon Westminster Bridge, September 3, is Wordsworth's delicately wrought dedication to the capital of England, the city of London.
From that grand opening line, with its showy declaration, to the steady iambic beat of the metropolitan heart, this sonnet aims to do one thing: This is a whole new view of a great city before it has properly woken up. The speaker is adamant that a person would have to be dull The fourth line is interesting because it sets the reader and speaker in the absolute present; the reader is looking through the eyes of the artist as it were, as dawn lights up the architecture and the great river.
And the metropolis comes alive in the following line - it wears the morning, a calmed personified giant. Wordsworth brings in that most romantic of notions, beauty, and attaches it to what is potentially one of the least beautiful of places, a growing, heaving city.
But this is a city of dream-like quality, as yet unpeopled, set in fresh light, at rest, at ease with fields and sky, not yet subject to the smoke of the chimney stacks or the smog of industry. The poet could be forgiven for thinking that this is not London he's looking at but some other natural habitat, perhaps a mountain or a series of lightly lit cliffs and rocks.
In line 9 the feelings of the poet reach a kind of fever pitch, an echo of the opening line sounding - he has never seen anything like this dawn, this splendid sunlight.
He is clear in his heart and mind. He's never felt so calm.The Romantic poem The Garden of Love by William Blake, published in as part of the Songs of Experience, consists of three quatrains, i.e.
three stanzas having four lines regardbouddhiste.com is no consistent rhyme scheme, as only two end rhymes can be observed: Line two and four of the first and second stanza rhyme (“seen“ - “green“; “door“ - “bore“), so there is a cross rhyme; all.
Infant Sorrow Analysis William Blake critical analysis of poem, review school overview. Analysis of the poem. literary terms. Definition terms. Why did he use? short summary describing. Infant Sorrow Analysis William Blake Characters archetypes. Sparknotes bookrags the meaning summary overview critique of explanation pinkmonkey.
London by William Blake. Prev Article Next Article. This poem, London, reveals the author’s feelings toward the society that he lived in.
To endure s England was to know the most restrictive of societies, where laws were broken only on penalty of death, and people followed a specific societal protocol.
London Analysis Stanza 1. I. William Blake was born on the 28th of November and died on the 12 of august He was a famous poet and writer who was well known for his romantic poems. He was also a famous painter. A reading of a classic poem William Blake () wrote many great poems which remain widely read and studied.
But ‘London’ is, along with ‘The Tyger’, possibly the most famous of all his poems.
‘London’ was first published in in his volume Songs of Experience, which was written to offer the flipside to the. “London” is a sixteen-line poem composed of four stanzas of alternatively rhyming short lines. “London” is included in the “Songs of Experience” section of William Blake’s larger.